What is Seen and Unseen: Nudity and Pornography

And now the most perverted we get to see Tyrion, when Peter Dinkledge still was doing a more faithful interpretation. While we do get female nudity--notice we never see Ros' front all that well. Heck, even her aerolas are nearly completely hidden by her braids. It makes me contemplate how not seeing everying affects the psyche--it makes it more "appealing" and teasing. There's different ways to film nudity, and this one is definitely trying to tease and entice its viewer with how it hints at being willing to show everything--but never really does all at once--a little bit here, a little bit of clever editing there with a pillar in the way, or a hair braid just long enough, etc. Contrast this with Clash of the Titans (the 1981 version) or The Blue Lagoon (1980) where nudity is treated far differently in film making. People are just fully and completely naked and the camera doesn't try to hide or tease the viewer in any manner, and when it does that, one doesn't really over sexualize the characters. It really proves the maxim that what makes something pornography isn't what's shown, but what isn't shown.