And the angry Bran image features the crypts in the background. Maybe he saw something in that flashback?
Whatever he saw, he looks pissed. I suspect BR showed him the day he fell, which IIRC was from the tower next to the crypts. Then again, the dude behind them looks pretty calm, so that argues against it.
I wonder if that guy is significant? He seems to be walking into the crypts... pushing a wheelbarrow??? Maybe he's just walking by the crypts, and is not significant at all. Bran and BR seem to be coming out of the crypts though, which is interesting. OMG what if BR showed Bran what's in Lyanna's tomb???? THAT would be the moment that breaks the internet!! The guy has a wheelbarrow b/c he needs it to get all the stuff out of the tomb- the harp, the wedding cloak, birth certificate, Rhaegar's will, Dawn... and Bran is pissed off b/c there was no balrog.
Indeed, I wonder if they have a rule on glamouring all their priestesses to be sexy. Let's hope they are all not crones in disguise.
I wonder why Thoros didn't get a magic necklace?
Last Edit: May 21, 2016 2:08:28 GMT by Maester Sam
“In Qohor he is the Black Goat, in Yi Ti the Lion of Night, in Westeros the Stranger. All men must bow to him in the end, no matter if they worship the Seven or the Lord of Light, the Moon Mother or the Drowned God or the Great Shepherd. All mankind belongs to him... else somewhere in the world would be a folk who lived forever. Do you know of any folk who live forever?”
Serious answer: because the show is being inconsistent with itself. Originally, Mel's hexagon necklace and the similar pattern on Quaithe's mask were meant to point to a shared origin in Asshai. Now, I guess, the rule is that any red priestess gets the necklace
Come now, are you blind? Thoros is clearly under a glamour. What else could explain this?:
His necklace is just under the armor.
All art is at once surface and symbol. Those who go beneath the surface do so at their peril. Those who read the symbol do so at their peril. It is the spectator, and not life, that art really mirrors. Oscar Wilde.
Thoros actual looks just like Mel. Time lord Quaithe is ALL of the Red God priests. It is known.
And that's why she needs the mask--so the fact that she's everyone doesn't bleed through.
All art is at once surface and symbol. Those who go beneath the surface do so at their peril. Those who read the symbol do so at their peril. It is the spectator, and not life, that art really mirrors. Oscar Wilde.
All art is at once surface and symbol. Those who go beneath the surface do so at their peril. Those who read the symbol do so at their peril. It is the spectator, and not life, that art really mirrors. Oscar Wilde.
All art is at once surface and symbol. Those who go beneath the surface do so at their peril. Those who read the symbol do so at their peril. It is the spectator, and not life, that art really mirrors. Oscar Wilde.
All art is at once surface and symbol. Those who go beneath the surface do so at their peril. Those who read the symbol do so at their peril. It is the spectator, and not life, that art really mirrors. Oscar Wilde.
Your lordship lost a son at the Red Wedding. I lost four upon the Blackwater. And why? Because the Lannisters stole the throne. Go to King’s Landing and look on Tommen with your own eyes, if you doubt me. A blind man could see it. What does Stannis offer you? Vengeance. Vengeance for my sons and yours, for your husbands and your fathers and your brothers. Vengeance for your murdered lord, your murdered king, your butchered princes. Vengeance!
this method. Especially if this is tied to their teaching Brandon the Builder their language/true tongue. This seems like a very extreme version of Rosetta Stone.
All art is at once surface and symbol. Those who go beneath the surface do so at their peril. Those who read the symbol do so at their peril. It is the spectator, and not life, that art really mirrors. Oscar Wilde.